聯合文學2026年3月號合作
UNITAS Publishing Co.
Material: crayon, pin ball
吉本芭娜娜是我學習日文的啟蒙，我很喜歡她故事中生活中脆弱的片段，萃取出深深的韌性，尤其是《廚房》中女主角最後和男主一起吃豬排飯的場景，食物與感情還有躺在地板上冰冰涼涼的觸感，閱讀文字時，那股磁磚的冷冽以及觸感彷彿從書中傳遞出來的樣子。
Yoshimoto banana was my gateway into learning Japanese.
I’m deeply drawn to how her stories distill moments of vulnerability in everyday life into a quiet, enduring resilience.
I’m deeply drawn to how her stories distill moments of vulnerability in everyday life into a quiet, enduring resilience.
In particular, I was moved by the final scene in Kitchen, where the protagonist shares a bowl of katsudon with the male lead.
The way food, emotion, and the sensation of lying on the cool floor intertwine left a lasting impression on me.
The way food, emotion, and the sensation of lying on the cool floor intertwine left a lasting impression on me.
While reading, I could almost feel the chill of the tiles—
as if their cold, tactile presence were quietly transmitted through the text itself.
as if their cold, tactile presence were quietly transmitted through the text itself.
